Showing posts with label depression. Show all posts
Showing posts with label depression. Show all posts

Monday, April 29, 2013

The Silver Linings Playbook | Book Review

The Silver Linings Playbook by Matthew Quick

My rating: 5 of 5 stars

I saw this movie and loved it and knew I had to read the book. I started reading and was blown away by the quality of writing - not just the story, but the humor and drama and subject matter and every tiny ingredient involved in this delicious literary casserole. As a writer myself, there are so many things here to commend, and I try to note them all in my review. The movie and the book are different in a lot of ways. But I think the movie retained the spirit of the book. And so does the author. So I'm with him.

Writing Technique: ★★★★1/2 Quick is a brilliant writer. He turns a guy with crippling mental illness, violent tendencies, and a serious one-track mind into a heart-warming, charming, hilarious, and moving narrative. Let this be a study for all novelists in voice, because this guy nails it. He also unravels a compelling modern hero's journey with a very limited first person POV. This work is fantastic.

Plot/Story Development: ★★★★ As I said, this is a modern hero's journey. Pat is not your typical hero (see more in char dev). But his journey is truly admirable. He leaves a neural health institution with one goal in mind: be reunited with his wife Nikki. Every single action he takes is made with her in mind: working out obsessively, his attitude and actions toward others, his pursuit of a greater literary education, etc. He is trying to write his own story - his own movie. He is single-minded in his pursuit of a happy ending, a true silver lining. It doesn't go exactly as planned, which is to be expected. And here is where novelists should study Quick's work, because it is a model case study of want v. need. As The Rolling Stones said so eloquently: "You can't always get what you want. But if you try sometimes, well you might find...you get what you need." (Now that song's stuck in your head. You're welcome.)

Character Development: ★★★★1/2 So what does Pat need? Well, he thinks he needs Nikki. But we all know he doesn't need Nikki. He needs to adjust to his new reality. To find embrace his new life and find a happy ending in it and not in the past. Pat's not your typical hero because he's psychologically ill. His treatment, his healing is a long internal process. And I love seeing where he's at on the last page. The closing line for me is beautiful.

Message/Theme: ★★★★★ I love the difficult issues this book tackles. And having read some author interviews, I admire him for writing something that reflects at least in part a personal struggle. SLP addresses depression, mental illness, grief, physical and emotional abuse, marriage, love, friendship, family, obsession, personal growth, and the true nature of happy endings.

Rating: R for language and sexuality

Audiobook Performance: ★★★★ Ray Porter is a great voice for Pat's somewhat deranged inner monologue. He also excels at all the men's voices - Philly, Indian, inner city black accents - he nails 'em all. But all the women sound exactly the same. It's difficult being a voice actor, I know, but it drew me out of the moment a few times. Especially when Jeanie and Tiffany talk back and forth, there was no change. So points lost.

Overall: ★★★★1/2 This is a great read. I don't think I could possibly recommend it more.
And yes, you should watch the movie too. Here, watch the trailer.


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Tuesday, April 23, 2013

The Sea of Tranquility | Book Review


Even this cover is freaking gorgeous.

The Sea of Tranquility by Katja Millay

My rating: 5 of 5 stars

Sigh. It's so hard to review a book you love.

I stumbled upon this book accidentally. And I will be forever grateful. I definitely had no idea what this book was about even after reading the description (my own misunderstanding.) But I got sucked in immediately, read it in one sitting, in one day. I might have cried a little. I might have laughed a lot. I might have wished and wished and wished that I had written something this good. I definitely give this my highest recommendation.


Writing Technique: ★★★★★ I love Millay's writing style. She is poetic, artful, profound, and hilarious. I highlighted so many passages, it's almost every page. As a writer, I enjoyed finding great examples of foreshadowing and payoff, pacing, tension, showing-not-telling... This is a knockout of a debut from Katja Millay. I can't wait to see what she offers next.

Plot/Story Development: ★★★★ Millay does a great job gradually revealing the backstories of Nastya and Josh. This story unfolds so beautifully and naturally. I found it very realistic and entirely engrossing. Nastya makes a lot of poor/questionable choices. Josh has a lot of real reactions. One of the most rewarding reads I've ever had. Also the ending is freaking wonderful.

Character Development: ★★★★ Nastya and Josh are two pretty broken people when they meet. As they get to know each other, they both are given a chance to move beyond the terrible pain of their past and try to find some kind of normal. But (spoiler alert? I don't think so, but you might be sensitive...) I love that they can't fix each other. Because in real life, broken people need to fix themselves (okay--in real life, everybody needs Jesus to fix them, in my opinion... but that's another story...). Josh can't heal Nastya. And Nastya can't heal Josh. But they learn they've got to do something just by being around each other. And that is a good character arc, if you ask me.

Message/Theme: ★★★★★ First and foremost, the dream of second chances. Pain/death/suffering/anger/hate/revenge v. healing/life/forgiveness/hope/love/friendship/family. Identity. Heaven. Home. Belonging.

Rating: R for language, sexual content and humor, and violence.

Overall: ★★★★★ I adored this book. I read it twice in five days because I wanted to revel in it again. The writing is beautiful. The characters are compelling and unforgettable. The story is moving and inspiring. I hope to write something this good one day.



Some Examples of Why I Love Millay's Writing:

"How come you call her honey and never use terms of endearment on me?" he fake whines.
"I do," Mrs. Leighton says, patting him on the cheek as she walks by. "Just last week I called you the bane of my existence."
"That's right," he says. "That was a good day."


I have a black belt in self-pity. I was an expert in the field. Still am. It's a skill you never forget.


I am an expert in all manners of therapy. The only thing I'm not an expert in is getting them to work. My parents had me in therapy before I even left the hospital, which is the recommended course of action when the devil finds your fifteen-year-old and the afterlife spits her back out. 


Nastya on group therapy:
So that's what it was like every week. I'd sit in a circle and a bunch of people who'd be through as much shit as I had would look at me like I snuck into the club without paying the cover. And I'd feel like screaming and telling them that I had paid it the same as everyone else in the room, I just didn't feel like waving around my receipt.


It was fine when being the Brighton Piano Girl defined my life. when I was making the right choices. When all of my choices were influenced by what my parents wanted me to choose. I let their current steer me, let it smooth and shape me like a stone pushed along the sand until I was perfect. And as soon as I was, I was ripped out of the water and thrown and smashed into a thousand pieces that I can't put back together. I don't know where they go. And there are so many missing that the ones that are left don't fit together anymore.
I think I'll stay in pieces. I can shift them, rearrange, depending on the day, depending on what I need to be. I can change on a whim and be so many different girls and none of them has to be me.


I chose the silence and everything that came along with it because I wasn't a good enough liar to speak.


I'm not sure how long we sit in Josh's truck, holding hands, surrounded by darkness and unspoken regrets. But it's long enough to know that there are no stories or secrets in the world worth holding onto more than his hand.


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Friday, December 28, 2012

Looking for Alaska | Book Review



Looking for Alaska by John Green

My rating: 3 of 5 stars

Let's get one thing straight. I like John Green a lot, but I cannot recommend that anyone read his books out of publication order. Reading The Fault in Our Stars before Looking for Alaska is like going to The Louvre and then going to a random elementary school art exhibit. You'll people "Oh, it was so good." But you'll be lying, and secretly you'll be disappointed.

In order, I first persevered through the aimless and oddball intellectualism and over-philosophizing of An Abundance of Katherines. Then I somewhat endured through the awkward wandering over-philosophizing and somewhat preachiness of Will Grayson, Will Grayson. Then I died a thousand beautiful deaths of love with the hilariously heartbreaking over-philosophizing of The Fault in Our Stars. And sadly, I plummeted into the half-scavenger hunt/half-roadtrip, over-philosophizing and terribly lackluster ending of Paper Towns. And to cap it all off, I sludged painfully through the weird and unexplainably awkward and inappropriate and just downright unpleasantness and, of course, over-philosophizing of Looking for Alaska.

Writing Technique: ★★★1/2 Not as good as TFIOS. I think I've established that John Green prefers a kind of self-aggrandizing overly philosophical narrative style that at first is endearing but, after five novels, starts to feel...flat.

Character Development: ★★ Miles (aka Pudge) was not that interesting to me. Ever. He goes to boarding school experience a "Great Perhaps" (as per his obsession with famous last words) and instead falls for a girl who is not right for him and-in my opinion-isn't worth it. And then he doesn't do much else. He think a lot about this girl and conducts a grand investigation, plays and elaborate prank, and writes a paper about life and death and last words that really left me...tepid.

Plot/Story Development: ★★★ I will say I was frustrated and intrigued immediately of this concept of "Before"... desperate to know what we were counting down to. And for the entire Before section, I thought, "This book is pointless. There is nothing happening. I'm not particularly interested in any of these people or any of these things and I really just wish this book was over so I can read other books and hit 80 books in a year." But when I got to the The Moment- I felt somewhat satisfied. It is a long build up to something that is very important and finally it gives the novel a real crisis. I was shocked when I got there. I briefly suffered the full gamut of emotions. But ultimately not devastated. (Not like TFIOS in the LEAST.)

Message/Theme: ★★★ Oh geez... life, death, pain, suffering, living a life worthwhile, finding adventure, love, friendship, family, being a rebel, those born with everything verses those who must work for everything, substance abuse, suicide, depression, joy, hope, and every other Philosophy 101 topic.

Audiobook Performance: ★★★ It was okay. Not overly impressive. Jeff Woodman read Miles alright and everyone else with a rather obnoxious and occasionally repulsive Southern accent. And his reading of Alaska...ugh. It did not endear me to her AT ALL.

Rating: R for a proliferation of swearing, sexual humor, (horribly awkward) sexual content, underage drinking, smoking, and other things I can't remember.

Overall: ★★★ at best. If you must read this, read it before TFIOS so as not to be disappointed.

Recommend: TFIOS. Obviously.



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Tuesday, August 28, 2012

Chopsticks | Book Review



Chopsticks by Jessica Anthony

My rating: 4 of 5 stars



Wow, this book is such a great idea. I love love love it. A story told through pictures and art and still shots and who knows what else... it blew my mind. It's hard to rate this like other books because it's not told in a conventional way. It is entirely new and fresh and innovative.



Writing technique: ★★★★1/2 Jessica Anthony (writer) and Rodrigo Corral (artist) make a stunning pair. Their style wowed me. The images selected to move the story along were beautiful, heart-wrenching, simple, and so much more. And the captions chosen were deliberate, brief, but telling. I greatly enjoyed this style of story-telling. A great break from the norm.

Character development: ★★ While it was easy to see how the story developed in this medium, it was a bit harder to see the characters grow and change. I didn't quite understand what Glory's breakdown was about. The book blurb suggests that it has to do with her mother. I could see that a little bit. But it was hard to know what exactly what was going on in Glory's head, especially toward the end. I could see more with Frank. The best display of their emotions was in their art. Both of them created things that revealed how they felt about somethings but not necessarily why they felt that way.

Plot/Story development: ★★★1/2 While the story isn't overly complicated, it was well communicated.

Message/Theme: ★ I didn't get much about what this story was trying to say. It was a cute love story. And a very fresh way to tell it. But it didn't inspire me to think about something and learn something new.

Overall: ★★★1/2 The medium of storytelling was groundbreaking and intriguing, although it lacked depth and purpose. I highly recommend it. I read it basically in one sitting. And it'll be an interesting change from the normal stories you read, I assure you.



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Wednesday, August 22, 2012

This is Not a Test | Book Review



This is Not a Test by Courtney Summers

My rating: 5 of 5 stars

Most zombie books are about survivors who want to live. This one isn't. Abused by her father, abandoned by her sister, Sloane Price wakes up one morning determined to end her life and discovers the zombie apocalypse has begun. This should be a simple solution. Let the dead kill you. But Sloane finds herself saved by survivors from her school and unwilling to risk their safety for her own suicide. As Sloane tries to find a way to die, the others do everything they can to survive.

Writing technique: ★★★★1/2 Summers is an incredible writer. She writes this tale of survival so poignantly, I felt everything. I felt Sloane's terror towards her dad. I felt her fear of the dead. I felt her hopelessness. I felt her despair over Lily. It was a very devastating, beautiful book. A zombie book but so so much more than that.

Character development: ★★★★★ This is a zombie book, but it's not really about zombies as it is about the people surviving them. Sloane is broken and needs a reason to live. Grace and Trace are twins who recently lost their parents and desperate need someone to blame. Cary their sort-of leader is who they blame. Harrison is the freshman who cries. And Rhys is the one person who keeps pushing Sloane to keep going.

Plot/Story development: ★★★★ Since most of this story takes place in the high school building the survivors camp out in, much of the plot evolves as the people learn more about each other. The antagonists of this book are internal and external.

Message/Theme: ★★★★★ Summers explores concepts of abuse, domestic violence, suicide, depression, survival, murder, ethical dilemmas (ie: do the ends justify the means? sacrifice one to save another?), family, and hope in this novel. It doesn't offer definitive answers as much as lay the questions on the table. I will say the ending is a kind of poetic justice, and I appreciated it even if it was sad and painful.

Overall: ★★★★1/2 I devoured this book in one day. Couldn't put it down. It was amazing. It was devastating. It was raw. It was a zombie book and so much more. I highly recommend this.



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Wednesday, July 18, 2012

Before I Fall | Book Review


Before I Fall by Lauren Oliver

My rating: 5 of 5 stars

This was my immediate reaction after finishing this book:

I LOVE it and I HATE it when I read a book that makes me depressed because I'll never write anything THAT amazing probably ever. Ugh. Before I Fall is Mean Girls meets Groundhog's Day. Or Daybreak if Taye Diggs's character had been Gretchen Wieners. Every single teen issue is addressed the story. ALL OF THEM. There is character development GALORE. And it made me cry just a tiny bit. And I'm freaking angry that I can't know more about What Happens After. I hate you, Lauren Oliver, for being so dang good at words. I hate you and I love you to death. And even then.

Honestly, I think that's says everything you need to know about my feelings. Here's the Rating Breakdown:

Writing technique: ★★★★1/2 Oliver makes magic out of words. She's compelling and intriguing. She makes you like pretty loathsome characters. She makes them relatable, loveable even. Her descriptions are perfection. She uses the a shallow, vain, self-absorbed girl to raise interesting questions, say thought-provoking things. A tiny example:
“I shiver, thinking how easy it is to be totally wrong about people-to see one tiny part of them and confuse it for the whole, to see the cause and think it's the effect or vice versa."
Character development:★★★★★ Sam's transformation is so real and believable and awesome. I also got to see into a lot of the other characters in a way that was really moving. I thought I'd have difficulty sympathizing with a Mean Girl, but I loved Sam. A lot.

Plot/Story development: ★★★★1/2 Unlike Bill Murray's character who relives Groundhog's Day potentially millions of times, Sam relives her last day only 7 times. I thought the days would be a predictable repetition of the same events day by day, but I was pleasantly surprised. Sam makes significantly different choices that lead to entirely different days and a brilliantly unfolding plot. So good.

Message/Theme: ★★★★1/2 OMG, Oliver delves into practically every teen issue fearlessly: popularity, peer pressure, snobbery, teen sex, teen drinking, drinking and driving, alcoholism, divorce, family drama, friend drama, leading v. following, bullying, drug abuse, suicide, depression, eating disorders, student-teacher romance, senioritis, vanity, greed, lying, cheating, and probably more. Oliver's message is essentially this: how you live matters, how you treat people deeply affects them, the world doesn't revolve around you, and when you die, will you be remembered for something good? You don't know what moment will be your last.
 
Audiobook Narration: ★★★★ Sarah Drew read this audiobook and she did fantastically. When I looked her up, I was shocked to realize she was the most detestable character ever on Grey's Anatomy (one of my favorite shows). I appreciated her as an actor far more for her work on this novel than anything I've witnessed on that show. She made me laugh out loud literally. She made me love Sam and Lindsay and Anna and Juliet. She only loses a point for her "Kent" voice which I'm not sure did him justice, and her "Rob" voice which always sounded stoned.

Overall: ★★★★★ INCREDIBLE BOOK. I wish everyone would read it. Seriously.



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