Prodigy | Book Review

Prodigy by Marie Lu

My rating: 4 of 5 stars

Color Me: Sequelly Satisfied. I consumed Legend in one breath last year. I loved it (but that was before I got tired of YA dystopias... Ah those were the days...). So I was thrilled to see Prodigy hit the shelves three months ago. And then...I got bored. And then I got excited. And ultimately, I was very pleased with this sequel.

Writing Technique: ★★★ Lu writes like a video game Flash artist (which she is...). Her style is very straight forward, visual, and simple. I like it. It works for this story. I have nothing overly negative or positive to say about it.

Plot/Story Development: ★★★★ I spent the first half of this book bored to tears. It was all like "We're going to do this. Then we're gonna do that." And I was like "Can we please just get to that?!" But somewhere in the middle, things started happening and that was exciting. I like the whole Republic v. The Colonies v. The Patriots v. The People v. whatever storyline. But I'll say that while the story progressed significantly, not a lot happened (if that makes sense). We got from A to B, but there were only a couple stops along the way. That may not be a bad thing. But it made the story seem somewhat simple (despite all the conspiracy stuff going on).

Character Development: ★★★ Day has been a rebel without a cause for most of his life. He's been a one-man army with tunnel vision. This book, he has to learn to play with others. But choosing which others-which cause-is the real struggle. His idealism is challenged and he has to figure out what he wants, what he can do, and what is actually possible for the people. His is a four-star character arc. June's arc is much less tangible. Her almost super-human powers of observation mean she just has to trust her gut and be brave enough to follow through. She gets two generous stars in this department. They balance out to a three.

(Random side note: I don't get why the characters here are so young. June and Day are 15. 15?! I'm trying to suspend my disbelief. But mostly I just have to imagine they're 17 or 18 or 19 or 20... My brother is 16, and I can't imagine him leading a revolution ((as more than just a mascot)), taking a powerful position in government, be in True Love, or pretty much any of the things these kids are supposed to do...)

Message/Theme: ★★★★1/2 loyalty, betrayal, rebellion, enemies, allies, friendship, love, and the many faces of oppression...

Rating: PG/PG-13 for violence and mild language

Overall: ★★★★ A good solid sequel. I'm curious about where we'll go in the third and final--seriously why is everything a trilogy nowadays?! There are other numbers out there besides 3. There's 4 and 5 and 7 and a bunch of others...--book.



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The Silver Linings Playbook | Book Review

The Silver Linings Playbook by Matthew Quick

My rating: 5 of 5 stars

I saw this movie and loved it and knew I had to read the book. I started reading and was blown away by the quality of writing - not just the story, but the humor and drama and subject matter and every tiny ingredient involved in this delicious literary casserole. As a writer myself, there are so many things here to commend, and I try to note them all in my review. The movie and the book are different in a lot of ways. But I think the movie retained the spirit of the book. And so does the author. So I'm with him.

Writing Technique: ★★★★1/2 Quick is a brilliant writer. He turns a guy with crippling mental illness, violent tendencies, and a serious one-track mind into a heart-warming, charming, hilarious, and moving narrative. Let this be a study for all novelists in voice, because this guy nails it. He also unravels a compelling modern hero's journey with a very limited first person POV. This work is fantastic.

Plot/Story Development: ★★★★ As I said, this is a modern hero's journey. Pat is not your typical hero (see more in char dev). But his journey is truly admirable. He leaves a neural health institution with one goal in mind: be reunited with his wife Nikki. Every single action he takes is made with her in mind: working out obsessively, his attitude and actions toward others, his pursuit of a greater literary education, etc. He is trying to write his own story - his own movie. He is single-minded in his pursuit of a happy ending, a true silver lining. It doesn't go exactly as planned, which is to be expected. And here is where novelists should study Quick's work, because it is a model case study of want v. need. As The Rolling Stones said so eloquently: "You can't always get what you want. But if you try sometimes, well you might find...you get what you need." (Now that song's stuck in your head. You're welcome.)

Character Development: ★★★★1/2 So what does Pat need? Well, he thinks he needs Nikki. But we all know he doesn't need Nikki. He needs to adjust to his new reality. To find embrace his new life and find a happy ending in it and not in the past. Pat's not your typical hero because he's psychologically ill. His treatment, his healing is a long internal process. And I love seeing where he's at on the last page. The closing line for me is beautiful.

Message/Theme: ★★★★★ I love the difficult issues this book tackles. And having read some author interviews, I admire him for writing something that reflects at least in part a personal struggle. SLP addresses depression, mental illness, grief, physical and emotional abuse, marriage, love, friendship, family, obsession, personal growth, and the true nature of happy endings.

Rating: R for language and sexuality

Audiobook Performance: ★★★★ Ray Porter is a great voice for Pat's somewhat deranged inner monologue. He also excels at all the men's voices - Philly, Indian, inner city black accents - he nails 'em all. But all the women sound exactly the same. It's difficult being a voice actor, I know, but it drew me out of the moment a few times. Especially when Jeanie and Tiffany talk back and forth, there was no change. So points lost.

Overall: ★★★★1/2 This is a great read. I don't think I could possibly recommend it more.
And yes, you should watch the movie too. Here, watch the trailer.


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The Perks of Being a Wallflower | Book Review

The Perks of Being a Wallflower by Stephen Chbosky

My rating: 4 of 5 stars

It took me an eternity to read this book. I don't know why. It's easy to get through, but I guess I'm easily distracted. The movie (written, directed, and produced by the author) is incredible and I highly recommend it. It's not one of those things where you must read the book first or you must watch the movie first. They are perfect companion pieces.

And let me give a huge shout out to my best friend, Tiffany, who first told me about this novel and insisted I read it. You were right, love.

Writing Technique: ★★★★★ Perks is a unique reading experience. I believe Chbosky to be a genius writer for penning such a poignant coming of age epistolary tale from the limited POV of a shy but observant, damaged but learning, ignorant but exposed high school freshman. This author captures Charlie's voice perfectly. He offers a lot of philosophical commentary on life and growing up, culture and relationships. And he does it in a way that is equal parts subtle and... not subtle. It's an easy, simple read, light. But I consider that one of its virtues. A novel packed with so much drama could be dense or heavy-handed. I think Chbosky handles it well. Very well.

Plot/Story Development: ★★★★ The plot is not that complicated. Things happen, yes. But the meat of this story is Charlie's internal struggle. The notable events are in great part a conduit for his journey of self-discovery. So let's get to character development, shall we?

Character Development: ★★★★★ Charlie's story is a classic coming of age story. He's spent his life on the sidelines, watching but not doing. His English teacher's challenge to participate catapults him into a group of friends who are most definitely doers. His friendship with Sam and Patrick exposes him to a whole new way of life - loud, wild, fearless, and infinite. And ultimately, he learns the value and necessity of friendship; he deals with long buried wounds from his past; he hurts and he heals; he finds hope. And that's a great character arc.

Message/Theme: ★★★★ This is a book jam-packed with themes: observing v. participating in life, isolation v. integration, being who you are v. being who others want you to be, tolerance, acceptance, abuse (physical, emotional, and sexual), self-esteem, friendship, family, innocence, love, freedom, hope, beauty, etc. etc. etc. There is a strong undisguised sexual revolution message here - casual sex, homosexuality, and abortion are just a few topics presented and embraced over the course of the story. And while I don't agree with all of the more liberal messages Chbosky clearly advocates, I appreciate the sentiment.

Rating: R for language, sexuality, drug use, violence

Overall: ★★★★ This book has become a classic, and rightly so. It's quiet and reserved, quirky and spunky, simple and deep. And it's neck-deep in poetic introspection that will leave you feeling a little more whole, a bit more hopeful, and a lot more infinite.



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Gone Girl | Book Review

Gone Girl by Gillian Flynn

My rating: 4 of 5 stars

Writing Technique: ★★★★ Gillian Flynn is either a genius writer or a certifiable sociopath. She wrote from the perspectives of Nick and Amy so convincingly and so differently, I was amazed. And terrified. I was genuinely disturbed by both of these people (but mostly...just the one. You know the one.) For that, I applaud Flynn. Dang good writing. Engrossing. Surprising. Ingenious.

Note on writing things that might be spoilery but might not: This is a FANTASTIC example of an unreliable narrator. Neither Nick nor Amy are exactly what they seem. And for much of the story, you really can't be sure you're getting the truth or the whole story. They are telling the story their way. Unreliable narrators are one of my favorite writing techniques. And this one takes the cake. Kudos!

Plot/Story Development: ★★★★ I loved the evolution of this story. I loved how information was seeped out gradually, and the reader has to pieces the puzzle together for a while. The ending is a killer, I think. So serious thrill and horror comes out as we learn what's really going on, and I liked feeling that chill of "What the heck is going to happen next?"

Character Development: ★★★ I don't think the characters actually change that much. Some, yes. But our understanding of them and their understanding of each other changes a lot. As characters, they are deep and complex and insane - literally - and fascinating to follow page to page. But they don't have a great character arc where you go - ah! lesson learned! Mostly you go - "wow...no matter how bad my life/marriage/younameit is, at least it's not and will never be this bad!"

Message/Theme: ★★★ Be careful who you marry. That's the great lesson here. Themes throughout include: love, hate, adultery, revenge, abuse, manipulation, psychological terror, the court of public opinion, psychosis, and other scary things... This isn't really the kind of book you read to teach you something or inspire you or show you a different perspective in life. It's something to read to freak yourself out, give yourself goosebumps, and walk away feeling better about your life.

Rating: R for a profundity of profanity, crude and graphic sexual language, and a major creep factor. Be warned - this book is heavy.

Audiobook Performance: ★★★★★ Julia Whelan and Kirby Heyborne are flawless voices for Amy and Nick. Their performances were spot on, lending humor and drama and fear and suspense. I loved hearing them tell this story. I highly recommend listening to this audiobook if you're interested in reading this book.

Overall: ★★★★ This was a fascinating read. I was hooked. I was creeped out. I was surprised. And ultimately I was quite satisfied with this thriller.



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Looking for Alaska | Book Review

Looking for Alaska by John Green

My rating: 3 of 5 stars

Let's get one thing straight. I like John Green a lot, but I cannot recommend that anyone read his books out of publication order. Reading The Fault in Our Stars before Looking for Alaska is like going to The Louvre and then going to a random elementary school art exhibit. You'll people "Oh, it was so good." But you'll be lying, and secretly you'll be disappointed.

In order, I first persevered through the aimless and oddball intellectualism and over-philosophizing of An Abundance of Katherines. Then I somewhat endured through the awkward wandering over-philosophizing and somewhat preachiness of Will Grayson, Will Grayson. Then I died a thousand beautiful deaths of love with the hilariously heartbreaking over-philosophizing of The Fault in Our Stars. And sadly, I plummeted into the half-scavenger hunt/half-roadtrip, over-philosophizing and terribly lackluster ending of Paper Towns. And to cap it all off, I sludged painfully through the weird and unexplainably awkward and inappropriate and just downright unpleasantness and, of course, over-philosophizing of Looking for Alaska.

Writing Technique: ★★★1/2 Not as good as TFIOS. I think I've established that John Green prefers a kind of self-aggrandizing overly philosophical narrative style that at first is endearing but, after five novels, starts to feel...flat.

Character Development: ★★ Miles (aka Pudge) was not that interesting to me. Ever. He goes to boarding school experience a "Great Perhaps" (as per his obsession with famous last words) and instead falls for a girl who is not right for him and-in my opinion-isn't worth it. And then he doesn't do much else. He think a lot about this girl and conducts a grand investigation, plays and elaborate prank, and writes a paper about life and death and last words that really left me...tepid.

Plot/Story Development: ★★★ I will say I was frustrated and intrigued immediately of this concept of "Before"... desperate to know what we were counting down to. And for the entire Before section, I thought, "This book is pointless. There is nothing happening. I'm not particularly interested in any of these people or any of these things and I really just wish this book was over so I can read other books and hit 80 books in a year." But when I got to the The Moment- I felt somewhat satisfied. It is a long build up to something that is very important and finally it gives the novel a real crisis. I was shocked when I got there. I briefly suffered the full gamut of emotions. But ultimately not devastated. (Not like TFIOS in the LEAST.)

Message/Theme: ★★★ Oh geez... life, death, pain, suffering, living a life worthwhile, finding adventure, love, friendship, family, being a rebel, those born with everything verses those who must work for everything, substance abuse, suicide, depression, joy, hope, and every other Philosophy 101 topic.

Audiobook Performance: ★★★ It was okay. Not overly impressive. Jeff Woodman read Miles alright and everyone else with a rather obnoxious and occasionally repulsive Southern accent. And his reading of Alaska...ugh. It did not endear me to her AT ALL.

Rating: R for a proliferation of swearing, sexual humor, (horribly awkward) sexual content, underage drinking, smoking, and other things I can't remember.

Overall: ★★★ at best. If you must read this, read it before TFIOS so as not to be disappointed.

Recommend: TFIOS. Obviously.



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Paper Towns | Book Review

Paper Towns by John Green

My rating: 4 of 5 stars

Writing technique: ★★★★ This is my third John Green book (I read An Abundance of Katherines and Will Grayson, Will Grayson before), and I love him. I love how you uses words. I love how he writes teens. I love this overly-philosophical way of looking at life. I love that he makes me want to read Walt Whitman and listen to Woody Guthrie and google random crap like "paper towns" and go on a road trip and write in black moleskin notebooks and plan and complete all-night adventures and use three names. He's a great storyteller. And I'll read anything with his name on it.

Character development: ★★★ Quentin thinks he knows Margo. He doesn't. He learns that he doesn't. But in learning, he has to do things and be someone he's never done or been before. His adventure is lighthearted, fun, youthful, quirky. Q becomes more introspective and curious and adventurous. He becomes less afraid. Margo is spunky and wild in a way everyone wishes they were, but also kind of damaged and sad. I thought this would be a lot more about her development. But really, it's how Q's perception of her changes and he realizes he never really knew her at all.

Plot/Story development: ★★★★ This story wasn't what I thought it was. Multiply that line by four. That's how many times I thought - ooooooh this is what this story is about. It's a good story, but I can't really tell you what it's about without spoiling it for you. But I liked it. Simply put, it goes: crazy night of adventure, clues clues clues clues, roadtrip. Basically. It's not overly complicated, but it did surprise me.

Message/Theme: ★★★★ Can you ever really know someone? Can you ever really know yourself? Is anyone real? Or are we all just paper people - fakers, pretending to live and be happy when really we're all empty inside...?

Audiobook Narration: ★★★★ I began this audiobook and thought I don't think I want to listen to this. I don't know if I like this narrator. I think I want to read it with my eyes. But I persisted, and I'm glad I did. Dan John Miller did an amazing job. I particularly LOVE how he reads RADAR. Sounds like a totally different guy. He made Q's thought come alive (even if he didn't pace and phrase things the way I initially though he should).

Overall: ★★★★ Great summer read. Great teen read. Solid John Green novel.



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